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Print, Paint, Play – Gelli Plate Collage with Lou Graham

Sunday 24th May 10.00am-3.00pm

ERAS Sunday School

Join Louise in this playful, hands-on workshop all about experimenting, layering, and discovering. Using gelli plates and acrylic paint, you’ll create a collection of beautifully unpredictable printed papers that become the building blocks for your own collage.

How to book

Book online at trybooking.com/DIKFB


Pricing:

  • $120 per person - Non Members

  • $90 per person - for ERAS Members

  • or $115 become a ERAS member (includes workshop ticket)

Please note that this workshop is has a maximum of 15 places, so bookings are essential.

About the workshop

In this workshop, participants will create a collection of beautiful papers that can be used to assemble a small collage to take home. These may become still lifes or focused studies of a single object explored through different papers and textures. Visual prompts will be available for those who prefer guidance, making the session ideal for anyone wanting to explore the pleasures and possibilities of collage in a relaxed, supportive setting.


You’ll explore a variety of techniques using marks, stencils, textures, and found tools, learning how to balance spontaneity with intention. We’ll play with colour, pattern, layering, transparency, and composition, watching simple prints evolve into rich, expressive surfaces.


These printed papers can be assembled into a finished collage or enjoyed as a process-driven exploration in their own right. The emphasis is on curiosity, play, and allowing ideas to emerge through making rather than aiming for a perfect outcome.


No experience is necessary — just an open mind, a sense of play, and a willingness to experiment.


 Materials TBC: Will be shared closer to the date

Print, Paint, Play – Gelli Plate Collage with Lou Graham
About the artist

Louise Graham describes her early painting journey as one where she seemed to find her artistic voice quickly, even before fully understanding what that meant. Over the past five years, through exploring new techniques and deepening her practice, she has come to see that her earliest works were already rooted in a strong emotional connection to nature.


Music plays a vital role in Louise’s creative process, acting as a source of feeling and inspiration — much like art itself, which has the power to move people in subtle and profound ways. She aims for her work to invite a second look, drawing the viewer in rather than explaining itself. Her love of abstract art stems from a natural tendency to notice patterns in everyday life — the play of light and shadow, the shifting forms of clouds, and other fleeting, transient moments. These are the qualities she seeks to capture in her work. Less concerned with representation, Louise allows what she sees — and where her hand leads — to guide the process, creating works that speak directly to the viewer.


More workshops

February

Pastel workshop with Sue Raccanello

April

Print and Stitch Cyanotypes with Mel Anderson and Deirdre Prochilo

May

Gelli Plate Collage with Lou Graham

July

Experimental Drawing with Elaine Camlin

September

Bookmaking for artists with Sue Wood

March

Wire and String Feature Trees with Pam Wettenhall

May

Linocut with Jennifer De Goursat

June

Gouache painting with Lyn Davis

August

Oil and Cold Wax with Carolyn Harrington

October

Watercolour with Nina Volk
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Edward River Art Society58 Cressy Street Deniliquin NSW 2710

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